The Dominican Republic, as you no doubt know, shares the island of Hispaniola with Haiti. Ms. Alvarez begins in 1994, with the visit of a journalist who wants to interview the surviving Mirabal sister, Dedé. Through Dedé's recollections, we have the voices of her sisters Minerva, Patria, and Maria Teresa. Each sister sounds distinct and each segment of the book recounts fictional events from one character's point of view. We see them in youth on the family farm, during early romances and later in marriages. We see them caring for children and for their parents. We see them at worship and in school, at play with cousins at the beach, and hiding from the police.
Even in childhood, the family speaks of Trujillo or anything related to the government where they are certain they will not be overhead. They might whisper together in the farm truck or out in the groves or tobacco field. As far as the regime knows, the Mirabal family is on the right side. The family keeps El Jefe (the Chief's) photo on view, attends the many holidays declared in Trujillo's honor, and strives to avoid censure.
But then things change. The oldest, Minerva, catches the eye of Trujillo, who in true dictator fashion, tries to recruit her to his list of mistresses. She is revolted and with her father's help, leaves a party quickly. In retribution, Trujillo's generals arrest and imprison Señor Mirabal. He knows this is a likely consequence but he holds his daughter's honor dearer than El Jefe's power.
Now the fact: These three Mirabal women were involved in the resistance movement and were murdered, along with Rufino de la Cruz, their driver, by Trujillo's forces in 1960. The date of the assassination--November 25--is now the United Nations' International Day for the Elimination of Violence Against Women.
Dictators in Latin American countries since the 19th century have been so numerous that there is a genre of fiction called the Latin American Dictator Novel. Along with works by Garcia Marquez and books about Peron in Argentina, this genre includes Mario Vargas Llosa's The Feast of the Goat, about the last days of Trujillo. I am far less interested in Trujillo's end than in the motivations for the people who ended him -- he was assassinated in 1961. Fiction is one way to consider those and provides insights, but I suspect I'm ready for some biography or even autobiography.
Thanks for this (years later). I was assigned this book in a masters program on Latin American Studies in the late 90s and although I liked it ok as fiction, it never really sat right with me to take such liberties with real people. I was in the minority - but it left a bad taste in my mouth. I'd much rather read the real story (and yes I know we don't have those resources...). I've learned working in museums that often the real story is so much more interesting than the "guidebook" story. Even for old chestnuts like Paul Revere (who it turns out was super interesting and amazing for none of the reasons he was famous). Let's keep a look out for he biography.
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